E-text prepared by Juliet Sutherland
and the Online Distributed Proofreading Team
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Copyright, 1920, by
G. P. PUTNAM'S SONS
In sending out this new book to the Americanpublic, I feel I am addressing a sympatheticaudience, since other volumes that have precededit have been most cordially received, and haveadded considerably to my long list of friends onthe Western side of the Atlantic.
At first glance it may seem as though the differencebetween the writings of American andBritish authors is too marked to allow of a bookon Authorship proving useful to both countries—butin reality the difference is only superficial,and is largely confined to methods of newspaperjournalism, or connected with mannerisms andtopical qualities.
Fundamentally, both nations work on the samelines and acknowledge the same governing lawsin Literature. American authors, no less thanBritish, derive their inspirations from Europeanclassics.
And magazine editors and publishers in bothcountries are only too grateful for good work fromeither side.
No one can teach authors how or what towrite; but sometimes it is possible to help thebeginners to an understanding of what it is betternot to write. For the rest I hope the book explainsitself.
Flora Klickmann
Fleet Street, London.
| PAGE | |
| PART ONE: THE MSS. THAT FAIL | |
| Why they Fail | 3 |
| Three Essentials in Training | 11 |
| PART TWO: ON KEEPING YOUR EYES OPEN | |
| A Course in Observation | 17 |
| The Assessment of Spiritual Values | 24 |
| PART THREE: THE HELP THAT BOOKS CAN GIVE | |
| The Bane of "Browsing | 35 |
| Reading for Definite Data | 41 |
| Reading for Style | ... BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!Sitemize Üyelik ÜCRETSİZDİR! |